Tuesday, 29 March 2016

My Presentation Sem ;-2

My Presentation Sem:- 2
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 1) Paper :- The Romentic Literature
      Topic:-  Analysis Ode to Grecian Urn.
  

Analysis Ode to Grecian Urn. from Ankita Gohel

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2) Paper :- 6 The Victorian Literature
    Topic :- The Oxford Movement

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The Oxford Movement from Ankita Gohel

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3) Paper :- The Literary Theroy and Criticism
    Topic :-  The Term of ''Diaspora ."

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The Term of " Diaspora ". from Ankita Gohel




4) Paper :- The Cultural Studies
    Topic :- Everyday life is Hybrid Local and Global, 
                     Homogeneous and hetrogeneous.
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Sunday, 27 March 2016

The Major Writer of victorian age.

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Name: -   Gohel    Ankita     Kishorbhai     
Rollno: - 12
PaperName: - The Victorian   Literature
Topic: - The Major writer of Victorian age        Guide: - Dilipsir Barad   
Submitted: - smt.  Gardi m.k   Bhavanagar,   Department    of   English
Year: - 2015-2017
                          


Introduction:-
                  The uniqueness of the individuality it was typical trait of victorian literature . The writer of this age work of gifted with stryking originality in out look mythod ,style, view, point, character and temperament.
              Tennyson loved the admiration of strong indepadents  Chales Dicken was one of the this most original written and profound, novelist of the age Bronte sister  talk about lonelyness in life.Thomas charlye and Robert Browing colletiveted the manner of striangness in writing William Thackery loved to following hazared path in the conduct of his stories.
                       The  Victorian age was remarkable age and is hight lighted the raise of novel and process writing novel and prose writting in particular all the novelist were busy in writing novels and prose based and realism and romentisim took a back seat the n ovel were written and publish in  plenty all the novelist like Dicken ,Thomas hardy,William morris and George eliot were wonderfull novelist and there novels maid a mark in the society by reflecting by realism.
                         The  victorian way of writing  both in prose and poetry had moral purpose behind it.Robert browing, Ruskin ,Tennyson and his writing and presenting the subject was  ful of moral attitude and the motive of behind of this kind of literature  was to make there follow countrymen idealism nature.
                      The victorian era many writer write realistic  kind of writing and his writing become  popular of those days.The  literature of this kind was and out look towards the socio- political problems during that time . The imagination well also constructed  under the infiunced of ssproblems preveling during that period .Romentic literature was not that popular as people work interested in realistic from of writing. Literature was used as a tool a order to aggrevate social reform.They  being against materialism , materialistic ,philosophy and materialistic friend  and this kind of writings was made popular by Rosstti and William morris.The writer of this age work against classim.The writer like Browning and  Tennyson  were a few romantic in this era of realistic writing.They subscribed the idea of romanticism  in victorian era.
 The major poets of victorian age:-

1)             Alfred Tennyson
2)            Robert browning

1)            Tennyson :-
                     Tennyson remains one of the most popular poets in english language. He is the ninth most frauently quoted writer in the oxford dictionary of quotations.

                       Tennyson used awide range of subject matter,ranging from medieval legends to classical myths and from domentic situation to observations of nature as source material for his poetry.He handled rhythm masterfully. The insistent beat
“ Break ,Break ,Break”
Emphasis the relentless sadness of the subject matter.
 The language of
“ I Come from haunt of coot and horn”
Lites and ripple like the brook in the poem victorian point’s and novelist this age had extreme dominance prose writing in this age. The writer saw problem of own society and that’s reflect on his writing.
His poem like
‘ In the valley of cauteretz”
‘ Break ,Break,Break”
                        ‘The change of the light brigade
“ Crossing the Bar”
              Much of his verse was based on classical mythological themes such as “ Ulysses” and Tennyson also write some notable blank verse including
“ Idylls of the king”
“ Ulysses”
“ Tithonus”
So, Tennyson is great writer.

2)            Robert Browning:-
                      He was an english poet and playwright whose mastery of dramatic verse, especially him one of the foremort victorian poets and the last two lines of
          “Come down o’ maid from yonder mountain Height”
Illustaratedhis telling combination of onomatopoeia,alliteration and assonanace.
“ The moan of doves in immemorial elms and murmuring of innumerable bees”
Tennnyson possessed the strongest poetic power,he put great length into many works in 1855,Tennyson  produced one of his best known works.
“ The change of the light brigade”
                         By Twelve, Browning had written book of poetry which he later destroyed when no publisher coulg be found. He was educated at home by tutor Via. The resoureces of his father liberary.He become a great admire of the romentic poet aspecially shelly.
                    Browning was encouraging enough to try again, going on to write eight plays in including.
“ Pippa  passes”
“ A Soul’s Tragedy”
 His troubled production of
“ A Blot on the scutcheon”
      Was following by the publication of experimenatel and [political ,radical long poem.
              In 1868, after five years work.he completed and published the long blake verse poem.
“ The Ring and the book”
Browing produced the major work of his later years.He often known by some of his short poems.
“ Rabbi Ben Ezra
“Evelyn Hope”
“ The pied piper of Hamelin”
“ A Grammarian’s Funeral”
“ A Death in the Desert”           
Browning ‘s  fame today rests mainly on his drameticmonologuaes.and his modern sensiblity.        

*           The  major novelist of victorian age:-
1)           Charles Dicken:-
2)            William Makepeace Thackeray :-        

1)           Charles Dicken:-

He was an English novelist, generally considered the greatest victorian period. Dickens enjoyed a writer popularity and fame than had any previous author during his lifetime.

                   Many of his writing were originally published serial in monthly installment.Aformate of publication which dicken himself helped popularise.

Dicken’s work has been highly praised for its realism, comedy, mastery of prose, unique personalities and concern social reform by writer such as Leo Tolstoy, George Orwall.His writing style is florid and poetic with a stornge comic touch.
                 The most autobiographical novel of davidcopperfield:-
“I had no advice,
         No councel, no encouragement
         No consolation, no assistance,
         No support of any kind from
Anyone that I can call to mind,
As I hope to go to heaven!”
His works like:-
1)‘ Bleak house”
2)“ Hard Time”
3)“ little Dorrit”
4)“A Tale of two cities”
5)“ All the year Round”
6) “ oliver Twist”
7) “ David copperfield”

2)          Willam Makepeace Thackeray:-

          He was an English novelist of 18thcentury.He was famous for his satirical works, particularly Vanity Fair, a panoramic portrait of English society.

             He primarly worked Fraser’s magazines. In the early 1840, Thackeray had some success with two boks.
“The Paris Sketch Book”
“The Irish Sketch Book”

On reaching the age of 21. He came into his inheritance but he squandered much of it on gambling and by funding two unsuccesfullnewspapers.He also lost a good part of his fortune in the collapse of two Indian banks.
Thakeray also gave lectures in London on englishhumourists of the eighteenth century.
His work:-
1) “Cathrine”
2) “The Luck of Barry London”
3) “The Book of Snob”
4)” Vanity Fair”
5) “Mens Wives”
6) “The Rose and the Rings”

Conclusion:-
           Thus the age shows many hopes and ideals and makes way realize them and during this age many changes like social reform, population, education, and industrials etc.


                                                          



The Four Goal of Cultural Studies.

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Name: -   Gohel    Ankita     Kishorbhai      Rollno: - 12
Paper name :- The culural studies
Topic: What is culural studies ? Explain four goal of culural studies.                                   Guide: - Dilipsir Barad  
Submitted: - smt.  Gardi m.k   Bhavanagar,   Department    of   English
Year: - 2015-2017.

    What is the Cultural study?
                            
                                 
                           cultural study designss a recent and rapidly growing cross disciplinary enterprise of analyzing the condition that effect the production, reception and Culural significance of all the types of instructive practice and products; among this literature is counted as a mealy one of many forms of Culural “ Signifying Praises”   a chief concern is to specifying the franicing of the social, economic and political forces and power structure that are said to produce the diverse from Culural phenomena and to endow them with their social “ Meaning” their “ Truth”. The modes of the discourse in which there are discussed and their values and states.           
                           A prominent attempt in Culural study is to subvert the disintingtion in traditional criticism between “ high Literature” and “ high art “and what were consideration the lower forms that appeal to much larger body of consumer typically,culural studies payless attention to work in the established literary canon than to popular fiction best selling romances,lovestories,Journalism and adverting togather with other arts that have mass appeal search as Cartoon,Commic film, Television  Soap Operas” and rock and rape music. Many Culural are devoted to the analysis and interpretion of object and social practices outside the realm of literature and the other art. This phenomena are viewed as endowed with meaning that are the product of social forces and conventions and that may either express or oppose the dominate structure of power in Culural in theory. There is no limited to kind of things and patterns of behaviour to which search and analyzing Culural “ Text ” maybe appealed current study deal with a specter rennin form vogue ( Fashion) body building though urban street fashions and from cross dressing to the social, gesture of smoking a cigarette.
*                      Here There are four goals  of cultural studies:-
1) Cultural studies transcended the confines of particular discipline such as literary criticism.
2) Cultural studies are politically engaged.
3) Cultural studies deny the separation of “high” and “low” or elite and popular culture.
4)  Cultural studies analyze not only the cultural work, but the means of production.
     
1) Cultural studies transcends the confines of particular disciple such as literary criticism or history.                            
                          Cultural studies transcend the confine of a particular discipline such as literary criticism or history. “practiced in such journal as critical inquiry , representations, and boundary 2 , cultural studies involves scrutinizing the cultural phenomenon of a text – for example Italian opera, a Latino telenovela, the architectural styles of prisons, body piercing and drawing conclusion about the change in textual phenomena over time.

                   Cultural studies are not necessarily about literature in the traditional sense or even about “art”. In their introduction to cultural studies , editors Lawrence grossberg,cary nelson , and Paula trencher emphasize that the intellectual promise of cultural studies lies in the attempts to “ cut across diverse social and political interests and address many of the struggles within the current scene.”


-                            Intellectual works are not limited by their own “borders” as single texts, historical problems or disciplines , and the critic’s own personal connections to what is being analyzed Amy also be described.
    
-                       Hendy Giroux and others write in their Dalhousie review manifesto that cultural studies practitioners are “resisting intellectuals” who see what they do as “an emancipator project.” Because it erodes the traditional disciplinary divisions in most institutions of higher education.
                  
2) Culural studies is politically engaged.
                      “Cultural studies are political engaged” cultural critic sees themselves as “oppositional” not only within their own disciplines but to many of the power structures of society at large. They question inequalities within power structures and seek to discover models for restructuring relationship am any dominant and “minority” or “subaltern” discourses. Because meaning and individual subjectivity are culturally constructed, they can thus be reconstructed. Such a notion, taken to a philosophical extreme, denies the autonomy of the individual, whether an actual person or a character in literature, a rebuttal of the traditional humanistic “great man” or “great book” theory, and a relocation of aesthetics and cultural from the dial realms of taste and sensibility, into the arena of a whole society’s everyday life as it is constructed.

3) Cultural studies denies the separation of “High” and “ Low “or elite and popular culture.
                           “Cultural studies deny the separation of high and low or elite and popular culture.”    I might hear someone remark at the symphony or art museum: “I came here to get a little culture”.
       Being a “cultured” person used to mean being acquainted with “highbrow” art and intellectual pursuits. But isn’t culture also to be found with a pair of tickets to a rock concert?

       Cultural critic’s today work to transfer the term culture today work to transfer the term culture to include mass culture, whether popular, folk, or urban.  The Following theorists Jean Baudrillard and Andreas huyssen of the cultural critics argue that after world war ii the distinctions among high , low and mass culture collapsed , and they cite other theorists such as Pierre Boundiry and Dick Hedbige on how “good taste” only reflects prevailing social, economic and political power bases. For example , the images of india that were circulated during the colonical rule of the british raj by writes like by Rudyard kipling seem innocent , but reveal an entrenched imperialist argument for white superiority and worldwide domination of other races, especially Asians. But race along was not the issue for the British raj, money was also a deciding factor But drawing also upon the ideas of french historian michel de certeau, cultural critics examine.
4) Cultural studies analyze not only the cultural work but also the means of production.
                     Maxist critics have long recognized the importance of such paraliterary questions as these: who supports a given artist? Who publishes his or her books, and how are these books distributed? Who buys books? For those matters, who is literate and who is not? A well – known analysis of literary production is Janice radway’s study of the American romance noval and its readers. Reading the romance women, partriarchy and popular literature, which demonstrates the textual effects of the publishing industry’s decision about books that will minimize its financial risks. Another contribution is the collection reading in america, edited by cathy n. Davidson, which includeds essays on literacy and gender in colonical new england urban magazine qudiences in eighteenth century new york city; the impact upon reading such technical innovations as cheaper eyeglasses, electriclights, and trains; the book of the month club; and how writers and texts go through fluctuations of popularity and canonicity. These studies help up recognize that literature dose not accur in a space separate from other concerns of our lives.

                    Cultural studies thus join subjectivity – that is, cultural in relation to individual lives- with engagement, a direct approch to attacking social ills. Thoughcultural studies prectitioners deny “humanism”or “the humanities” as universal categories, they strive for what they might call “social reason”, which often (closly) resembles the goals and values of humanistic and democratic ideals.

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